The smell of greasepaint
Oct. 12th, 2024 06:58 am
The roar of the crowd!I always forget how loud opening night of Clay Fest is. There's a long line waiting when we open the doors, and in no time, it's shoulder to shoulder. Word has gotten out that the best selection goes to those who arrive early, I guess. And any concern that not having the Home Show next door this year (they cravenly changed weekends to avoid the Oregon/Ohio State game on Saturday night) will affect our crowds is, at least temporarily, assuaged.
Had a few hiccups on the way to opening. The Fire Marshall's inspection didn't find anything wrong with the electrical in peoples' booths, but decided to be shirty about fire exits. In the past, we've gotten away with five--two in the front, two across the hall on either side of Demo, and one on the south end at Kid's Clay. Last year, they decided we needed to leave the north exit open as well, losing us a couple of booths. This year, against all precedent, the two doors behind the Demo stage needed to be available as well, which entailed taking down the pipe and drape and moving the stage forward six feet, losing us a row of seats for viewers. Frustrating, but a bunch of guys pitched in and we managed the change before the five o'clock opening.
Lots of vaguely familiar faces from previous years, including this lady who comes down from Portland every year. Used to see her at Showcase, but don't do that show anymore. She's staying overnight, so I gave her directions to Saturday Market tomorrow.
Was talking to a college-age guy, asked him How long have you been doing pottery? He looked surprised until I pointed to the clay spatters on his jeans. He's been at it two years, throwing at the Craft Center. A couple of other Craft Center potters--also clay spattered, they must have come straight over--stopped in to talk process later. Charlie was particularly pleased to hear of my long association with the place, and recent visiting artist spot. Apparently their current Resident Potter has just left, and he was angling for me to come back. You're way more chill than she was, he said, which I guess is a compliment? I explained that these days, every hour teaching cost me hundreds of dollars in studio production. Maybe after I retire...
Had a couple of nice pots sniped by other potters before the show opened, an otter pie plate and sloth dessert. We're permitted by our rules to buy direct from each other without going through Central Sales, discounting the show commission, although both insisted on paying fullish price. Sold more dessert plates after opening, though no dinners yet. Also mugs, bowls, a stew mug. But I also sold some big pieces: two squared bakers, a mixing crock, tool crock, large batter bowl, and, the surprise of the night, the big oval platter with the barn owl pattern.
Show opens at 10 today, so I'm up early packing lunch and posting here on Denise's laptop. (Mine is still at the show to produce award certificates.) Going to swing by Farmers Market on my way in. Denise will join me at lunch time to cover my booth for my 1 pm sales shift with the dreaded Bar Code Scanner.
Wish me luck!








We got to the gallery around 2:30, got shown the break room, class room and of course the gallery itself. They did an admirable job with the display, Denise's paper on one wall, books on a series of shelves opposite, pots on pedestals in between. I'd sent four themed dinner sets, but they broke them up and did a mix and match arrangement, which I think worked better. A few things had already sold, red dots on a hummingbird small baking dish and one of Denise's journals. (The university gallery doesn't handle sales themselves, but collects and organizes contacts for me to follow up on after we get home.)