
Clay Fest opens on a Friday evening, so we get Thursday afternoon and all of Friday to set up. I came down after lunch on Thursday, had the basic booth structure up by 4 pm, including all the grid panels, plate hangers, and bowl stands. Since it usually takes me under an hour to put out pots at Market, I decided to just bull through and get everything out, so on Friday morning I just had to put out shelf signage and move the empty boxes to the van.
Friday noon is the artists' potluck. During the Refreshments Chair report at the last Steering Committee meeting, Tea, always a joker, quipped that he should require me to bring
two pies this year.
So I figured, what the hell?
Still wasn't enough; we blew through both of them, and folks who didn't put a slice on their plate first didn't get one. Good pie though.

The show opened at 5 pm, and for once, I wasn't in a back room generating award certificates. The new gallery chair decided to print them in advance and just hand-letter them. Not as professional-looking, but it meant I could be in my booth at the busiest part of the show. And I mean
busy. We estimated 1800 people came through the door in the first hour. Dual checkout stations with meanders on opposite sides of the hall, and the sales lines still overlapped by the gallery. Fortunately, the bar-code scanners helped speed up the process, although they only record artist; still need to type in the price by hand. The real efficiency happens behind the scenes; Square automatically tallies each artist's sales for us.
I made my first sale within ten minutes of opening--a young couple bee-lined to my booth and took the large whales cookie jar. They'd seen it on the Clay Fest Instagram feed, screen-capped it, and came early to be sure they got it. The second large cookie jar, painted with pandas, went about a half-hour later. After that, things got a little blurry, I kept busy pulling out more restock from the back and talking with customers. I was working solo--Denise had gotten an eye treatment earlier in the afternoon, so was at home recovering.

We sold a lot of bigger stuff--both large covered casseroles, two teapots, the big oval octopus platter, early Saturday morning. Fewer tall mugs and pie plates than I expected, but a couple of colanders, a batter bowl, several bakers. And a lot of stew mugs, dessert plates, dinner plates. About half a box of painted mugs, and quite a few soup and toddler bowls. Three frog banks and a chicken, two incense dragons.
Lots of familiar faces--Hailey, who's bought from me at Market previously, stopped in Friday night, just looking. The Saturday Market General Manager and her daughter were through, apparently recruiting for Holiday Market; I guess they haven't filled the show yet. Claude and Hannah Offenbacher, old friends from KLCC, stopped to say hello, and MIchiyo and Andrew, the Japanese potter and her Aussie husband, came through on a farewell visit. They're moving to Japan at the end of the month.
I had two morning sales shifts, Saturday and Sunday. Both days started slow, while people cruised the aisles, so I had plenty of time to draw animals on the wrapping paper for about a half hour (we then use it to wrap the next customer's pots, giving them bonus art). Afterwards, sales got steady, and we had to concentrate on our jobs, though it never got as over-loaded as Friday night. I was on one of two hybrid cash/card stations, the rest being card only, got to do some split sales, cash and card, and even got to process a gift certificate (we give them to the garden club volunteers who make us flower arrangements Friday morning). Only saw one or two of my own pots come through, though other cashiers told me they saw plenty. Denise was covering the booth for me, doing her best to pull out more pots, though she had to recruit a neighbor to replace the octopus platter; her shoulders don't cooperate. We had late lunch in the artist lounge, up on the stage, and she left early Saturday to runs some errands which may or may not be related to my birthday this Wednesday. I don't ask.
Saturday evening, a mother and young daughter stopped in the booth. Daughter was pretty shy, even when I brought out my bear, so I asked her if she wanted to pet a dinosaur (bank, of course). She petted the T. Rex and the Stego, and then when I brought down the elephant, she asked I she could sing me an elephant song in Thai. Oh yes, of course, so she sang
Chang, Chang...[many more words I can't possibly reproduce]. Pretty little song, and it reminded me of Chang Dee, a baby elephant at the Portland Zoo some years ago, whose name meant "Good Elephant" in Thai. I told her about it, and asked if that meant "Chang" meant elephant. She confirmed it, and we parted smiling. And mom, who'd been looking at mugs all the while, came back later without her to pick out and elephant mug.
Had a customer at my station Sunday morning who said she'd taken a class from me at the Craft Center, years ago. She'd then got an alumni pass to work on her own, became a clay artist, now has work in the Freer Gallery. Very cool interaction. Another Craft Center friend showed up Sunday afternoon. Jason had been a student while I was there, came back as a resident potter after I left. The last time I saw him, his son was about elbow-high. This time, he was taller than his dad, and starting to look at colleges. I asked what he wanted to study, and when he said linguistics, I told him about the Lingthusiasm podcast, and it turned out he was already familiar with both of the hosts. He also plays Uillean pipes, and studies with a piper that I once interviewed on the Saturday Cafe.
The show closed at 5 pm, and we all set about dismantling. Sent Denise to sit in the van and read, while I boxed the pots and took down the shelves. Stuffed the last few boxes and the carpet in van just before 8 pm, and drove home to a supper of planned-over Chicken Tikka.
The show as a whole hit a record high, over $220,000 in sales. I made $3435; after commission it's still a bit more than $3000.