The finished piece, ready for drying. I'm kind of amazed that I knocked this out in only four days. Of course there's still drying, firing, surface glazing--mostly oxides and stains, like I used on Baba Yaga. There's a part of me that wants to see if the little bottle of gold luster I bought years ago for a church project is useable for the text on the spine, but on the other hand, that might be too fancy for a late sixties kid's book.
It occurs to me that I've documented this entire process without once mentioning the title, which inspired the whole thing.
Ladies and gentlemen, meet Clever Girl.

It occurs to me that I've documented this entire process without once mentioning the title, which inspired the whole thing.
Ladies and gentlemen, meet Clever Girl.
