2025 writing roundup
Jan. 2nd, 2026 07:11 pmCheers to the new year! I've been waiting for Yuletide author reveals so that I could officially make this brag: I've posted over 150k words to AO3 this past year, trouncing my previous record of 120k in 2019. 2025 has been so intense for me creatively. This has been a year not only of prolific writing, but of pushing my boundaries, expanding my storytelling ambitions, and just straight-up enjoying my own imagination without angsting over feedback or popularity. I won't attempt to look back at all 41 (!) fics here, but I'd like to talk about a few of the big projects/moments and what I've taken from them.
Prisons of Our Making (Reylo, post-TROS Ben Solo Lives AU, 35k): I know it's small change to a lot of authors, but this is the longest fic I've ever finished. (My longest fic full stop is 66k, but it's a nearly-finished perma-WIP from years ago that I hate and no one is allowed to talk to me about it.) This was me experimenting with a whole new writing process. I've historically always been both a plan-as-you-go and edit-as-you-go writer; for this fic I forced myself to outline the whole thing before I started writing, then write the whole thing before I edited anything, and not post a single word until I was satisfied that the structure was sound and only copyedits on later chapters remained to be done. I found this process less fun in the short term but significantly less frustrating in the long - I have a well established habit of writing myself into corners and introducing late-stage twists that require major rewrites to earlier material, and this method avoided all of that.
I should note that, unusually for me, I have not actually reread a word of this fic since posting it. I'm a bit scared to. Like, what if it's rubbish? What if I am just fundamentally a shortfic author who should stick to writing oneshots? I'll probably revisit it sometime this year once the emotions have calmed down a bit, but whether or not I end up being thrilled with the final product, it definitely feels like a milestone that I got this out into the world.
It Takes a Village to Raise the Dead (Poe/Finn/Rey/Ben/Jacen resurrection bodyswap, 20k) was an exchange assignment that got stupidly out of control, and an example of what happens when I try to write long(er)fic using the as-you-go method instead of the one discussed above. It wasn't actually meant to be longfic at all - it started its life as fairly modest bodyswap shenanigans using the Force as a wafer-thin excuse - but then it bred with several other prompts and grew a plot, and the whole thing was just absolute chaos. Multiple rewrites, at least one of which was literally from scratch while others involved POV changes that completely changed what information I could or couldn't include in that scene. If it weren't for an exchange I would probably have given up. But hey, this is part of why I got so into exchanges to begin with - deadline pressure really works for me. This is another fic I'm still waiting to get enough distance from before I can reread it, but at minimum I'm proud of myself for getting it done! It involved a lot more balls in the air at once than I usually even attempt to juggle.
I Can Save Myself (Kylo/Rose superhero AU, 10k) is the "shorter", "easier" exchange assignment I wrote when I DID actually have to give up on a fic that had gotten too complicated. My first idea was for the same ship but a much more serious take on it, heavy on both plot and emotional trauma, and I wrote thousands of words and did oodles of comics canon review and Wookieepedia research before realising that it just wasn't going to come together the way I wanted it to in the time I had left. I was right on the brink of defaulting so that my soon-to-be-ex-recip could get a gift that didn't suck, but I took one last look at their request to see if there was anything I could salvage, and the words "superhero AU" jumped out at me from their likes list. I'd just recently read Hench. Suddenly, I was off and running. It was still way more than I really had time to write before deadline, but it was too much in the fun way instead of the despair-inducing way, and I bashed the whole fic out in a blur of joy and the recip ended up making fanart for it!!! So that was a fantastic experience.
Rose Tico's Charity Home for Wayward First Order Scum (post-TROS Reylo, Finnpoe, Phasma/Rose, Phasma/Kylo, Everyone Lives with bonus drinking games, 1.6k): There is nothing technically ambitious about this fic, but it's the direct product of the exact moment early on this year when I looked at the word doc in front of me and said "fuck it, I can do what I want". Some people just like to write about their favourite enemy space wizards inexplicably all being friends and acting like teenagers together, and that's valid! In the end a double-digit number of people liked this fic enough to kudos it, but I put it out in the world fully expecting silence and was okay with that because I loved (still love) what I wrote and would have continued to love it even if no one else did.
All seven of my Love Hypothesis fics: Look at me, diving headlong into a whole new fandom without dropping out of my old one in the process! This has never actually happened before; usually my head only has room for one (1) primary blorbo, with all other fannish interests restricted to dabblings and day trips. It's been really fun noodling around with Adam and Olive as characters. Despite the fact that The Love Hypothesis started its life as Reylo fic, the vibes are completely different, and it's scratching a different creative itch for me than any star war I've written. Right now I'm working on a new multichapter fic for this fandom (*puts on galaxy-brain hat* it's a fake dating AU...for the fake dating AU...) and just having so, so much fun with it in a way that feels really chill and low-pressure.
On a slightly less satisfying note, as the year progressed my writing has been feeling more and more like...you know when a kid has a growth spurt, and overnight they acquire about 20% more limb than before but don't yet know how to control it? Yeah, it's like that. It's frustrating, because while the new sense of freedom and reach is amazing, I used to feel much more in control of my prose and overall technique. I imagine that'll come back as I adjust to my new limb length, but man, I wish I could have brought all the creative energy I've had this year and felt like I was putting it into my best work yet, instead of the constant nagging awareness that even my most carefully controlled works aren't quite coming out exactly the way I want them to. It's been years since I last felt that gap between my vision and my skills, and I did not miss it.
I'm including that last bit in the post for my own posterity, but honestly, I don't want to sound like I'm ending on a sour note because my overwhelming experience this year has been that writing is FUN and I LOVE it and I WANT TO BE DOING IT ALL THE TIME. I'm deliberately not setting myself any writing goals for 2026 because I want to just keep going with the flow of whatever the fuck my brain is doing these days. Whether the energy lasts or whether I end up going fallow again for a while, I'm going to resist the urge to force things and just trust that whatever output I manage this year will be exactly what I need it to be.
Prisons of Our Making (Reylo, post-TROS Ben Solo Lives AU, 35k): I know it's small change to a lot of authors, but this is the longest fic I've ever finished. (My longest fic full stop is 66k, but it's a nearly-finished perma-WIP from years ago that I hate and no one is allowed to talk to me about it.) This was me experimenting with a whole new writing process. I've historically always been both a plan-as-you-go and edit-as-you-go writer; for this fic I forced myself to outline the whole thing before I started writing, then write the whole thing before I edited anything, and not post a single word until I was satisfied that the structure was sound and only copyedits on later chapters remained to be done. I found this process less fun in the short term but significantly less frustrating in the long - I have a well established habit of writing myself into corners and introducing late-stage twists that require major rewrites to earlier material, and this method avoided all of that.
I should note that, unusually for me, I have not actually reread a word of this fic since posting it. I'm a bit scared to. Like, what if it's rubbish? What if I am just fundamentally a shortfic author who should stick to writing oneshots? I'll probably revisit it sometime this year once the emotions have calmed down a bit, but whether or not I end up being thrilled with the final product, it definitely feels like a milestone that I got this out into the world.
It Takes a Village to Raise the Dead (Poe/Finn/Rey/Ben/Jacen resurrection bodyswap, 20k) was an exchange assignment that got stupidly out of control, and an example of what happens when I try to write long(er)fic using the as-you-go method instead of the one discussed above. It wasn't actually meant to be longfic at all - it started its life as fairly modest bodyswap shenanigans using the Force as a wafer-thin excuse - but then it bred with several other prompts and grew a plot, and the whole thing was just absolute chaos. Multiple rewrites, at least one of which was literally from scratch while others involved POV changes that completely changed what information I could or couldn't include in that scene. If it weren't for an exchange I would probably have given up. But hey, this is part of why I got so into exchanges to begin with - deadline pressure really works for me. This is another fic I'm still waiting to get enough distance from before I can reread it, but at minimum I'm proud of myself for getting it done! It involved a lot more balls in the air at once than I usually even attempt to juggle.
I Can Save Myself (Kylo/Rose superhero AU, 10k) is the "shorter", "easier" exchange assignment I wrote when I DID actually have to give up on a fic that had gotten too complicated. My first idea was for the same ship but a much more serious take on it, heavy on both plot and emotional trauma, and I wrote thousands of words and did oodles of comics canon review and Wookieepedia research before realising that it just wasn't going to come together the way I wanted it to in the time I had left. I was right on the brink of defaulting so that my soon-to-be-ex-recip could get a gift that didn't suck, but I took one last look at their request to see if there was anything I could salvage, and the words "superhero AU" jumped out at me from their likes list. I'd just recently read Hench. Suddenly, I was off and running. It was still way more than I really had time to write before deadline, but it was too much in the fun way instead of the despair-inducing way, and I bashed the whole fic out in a blur of joy and the recip ended up making fanart for it!!! So that was a fantastic experience.
Rose Tico's Charity Home for Wayward First Order Scum (post-TROS Reylo, Finnpoe, Phasma/Rose, Phasma/Kylo, Everyone Lives with bonus drinking games, 1.6k): There is nothing technically ambitious about this fic, but it's the direct product of the exact moment early on this year when I looked at the word doc in front of me and said "fuck it, I can do what I want". Some people just like to write about their favourite enemy space wizards inexplicably all being friends and acting like teenagers together, and that's valid! In the end a double-digit number of people liked this fic enough to kudos it, but I put it out in the world fully expecting silence and was okay with that because I loved (still love) what I wrote and would have continued to love it even if no one else did.
All seven of my Love Hypothesis fics: Look at me, diving headlong into a whole new fandom without dropping out of my old one in the process! This has never actually happened before; usually my head only has room for one (1) primary blorbo, with all other fannish interests restricted to dabblings and day trips. It's been really fun noodling around with Adam and Olive as characters. Despite the fact that The Love Hypothesis started its life as Reylo fic, the vibes are completely different, and it's scratching a different creative itch for me than any star war I've written. Right now I'm working on a new multichapter fic for this fandom (*puts on galaxy-brain hat* it's a fake dating AU...for the fake dating AU...) and just having so, so much fun with it in a way that feels really chill and low-pressure.
On a slightly less satisfying note, as the year progressed my writing has been feeling more and more like...you know when a kid has a growth spurt, and overnight they acquire about 20% more limb than before but don't yet know how to control it? Yeah, it's like that. It's frustrating, because while the new sense of freedom and reach is amazing, I used to feel much more in control of my prose and overall technique. I imagine that'll come back as I adjust to my new limb length, but man, I wish I could have brought all the creative energy I've had this year and felt like I was putting it into my best work yet, instead of the constant nagging awareness that even my most carefully controlled works aren't quite coming out exactly the way I want them to. It's been years since I last felt that gap between my vision and my skills, and I did not miss it.
I'm including that last bit in the post for my own posterity, but honestly, I don't want to sound like I'm ending on a sour note because my overwhelming experience this year has been that writing is FUN and I LOVE it and I WANT TO BE DOING IT ALL THE TIME. I'm deliberately not setting myself any writing goals for 2026 because I want to just keep going with the flow of whatever the fuck my brain is doing these days. Whether the energy lasts or whether I end up going fallow again for a while, I'm going to resist the urge to force things and just trust that whatever output I manage this year will be exactly what I need it to be.
(no subject)
Jan. 2nd, 2026 02:05 amДва миллиона лет дожди и солнце,
Два миллиона лет дожди и солнце,
Два миллиона лет дожди и солнце,
Два миллиона лет.
Как вся трава ,что вверх растёт и вьется,
Живёт зверье, между собою бьётся,
Весь мир зверей между собою бьётся -
А человека нет.
Кто захотел, тот вышел вон на сушу,
Узнал, зачем, и вышел вон на сушу,
Чудес полно, и динозавров тоже -
И нарастает гул,
И кто не смог - не тащит дальше тушу,
Не говорит себе под нос - о боже:
Не говори себе под нос - о боже ,
Поскольку бог уснул.
Он спит с тех пор, ему так сладко спится -
Под шум дождя ему все время снится,
Что мы давно успели помириться,
И вымерли давно, и видим сны -
И мы уснем с дубиной под подушкой ,
И нам, конечно, тоже пригодится -
Считать, что больше нечем там гордиться,
И больше нет войны,
И человека нет.
Два миллиона лет дожди и солнце,
Два миллиона лет дожди и солнце,
Два миллиона лет.
Как вся трава ,что вверх растёт и вьется,
Живёт зверье, между собою бьётся,
Весь мир зверей между собою бьётся -
А человека нет.
Кто захотел, тот вышел вон на сушу,
Узнал, зачем, и вышел вон на сушу,
Чудес полно, и динозавров тоже -
И нарастает гул,
И кто не смог - не тащит дальше тушу,
Не говорит себе под нос - о боже:
Не говори себе под нос - о боже ,
Поскольку бог уснул.
Он спит с тех пор, ему так сладко спится -
Под шум дождя ему все время снится,
Что мы давно успели помириться,
И вымерли давно, и видим сны -
И мы уснем с дубиной под подушкой ,
И нам, конечно, тоже пригодится -
Считать, что больше нечем там гордиться,
И больше нет войны,
И человека нет.
Timey-Wimey
Jan. 2nd, 2026 08:04 am Judy just wrote a short play about 9/11. I was thinking about this and it hit me that in another nine months 9/11 will be distanced from us by 25 years- that is to say a whole quarter century.
There was a conversation going on yesterday that I was hanging at the edge of. One guy was saying how the Millennium was ages ago but the 1970s were yesterday.
And then someone else, I think it was Ailz, said how people were increasingly using the phrase "the late nineteen hundreds" as if the days of our (comparative) youth were some remote historical era.
But then there are millions and millions of actual, fully responsible adults walking around for whom that's exactly what they are.
Finally Ailz capped things off by saying, "Do you realise that the baby who plays the sun in the Teletubbies is now a mother?"
There was a conversation going on yesterday that I was hanging at the edge of. One guy was saying how the Millennium was ages ago but the 1970s were yesterday.
And then someone else, I think it was Ailz, said how people were increasingly using the phrase "the late nineteen hundreds" as if the days of our (comparative) youth were some remote historical era.
But then there are millions and millions of actual, fully responsible adults walking around for whom that's exactly what they are.
Finally Ailz capped things off by saying, "Do you realise that the baby who plays the sun in the Teletubbies is now a mother?"
It's Public Domain Day! Well, January 1 was Public Domain Day.
Jan. 2nd, 2026 12:53 amEvery January 1, in the USA, a number of copyrighted works lose their protection and become public domain! This year has a pretty neat list - Dashiell Hammett! Miss Marple! The Marx Brothers! Lots of neat things.
And obviously this isn't everything that's coming free of copyright protection, just a list of a few of some significant works. They're already free in some countries: Canada and Australia have shorter copyright terms.
BOOKS
Cakes and Ale
William Faulkner, As I Lay Dying
Dashiell Hammett, The Maltese Falcon (the full book version)
Agatha Christie, The Murder at the Vicarage (the first novel featuring Miss Marple)
Carolyn Keene (pseudonym for Mildred Benson), the first four Nancy Drew books, beginning with The Secret of the Old Clock
Watty Piper (pen name of Arnold Munk), The Little Engine That Could (the popular illustrated version, with drawings by Lois Lenski)
William H. Elson, Elson Basic Readers (the first appearances of Dick and Jane)
Noël Coward, Private Lives
T.S. Eliot, Ash Wednesday
Evelyn Waugh, Vile Bodies
John Dos Passos, The 42nd Parallel
Edna Ferber, Cimarron
Dorothy L. Sayers, Strong Poison
J. B. Priestley, Angel Pavement
Olaf Stapledon, Last and First Men
Sigmund Freud, Civilization and Its Discontents (in the original German, Das Unbehagen in der Kultur)
Elizabeth Coatsworth (author) and Lynd Ward (illustrator), The Cat Who Went to Heaven
Arthur Ransome, Swallows and Amazons
W. Somerset Maugham, Cakes and Ale
Bertrand Russell, The Conquest of Happiness
CHARACTERS, COMICS, CARTOONS
Flip the Frog
Betty Boop from Fleischer Studios' Dizzy Dishes and other cartoons
Rover (later renamed Pluto) from Disney's The Chain Gang (as an unnamed bloodhound) and The Picnic (as Rover)
Blondie and Dagwood from the Blondie comic strips by Chic Young
Flip the Frog from Fiddlesticks and other cartoons, by Ub Iwerks after he left Disney
Nine new Mickey Mouse cartoons, the initial week of Mickey Mouse comic strips, and ten new Silly Symphonies cartoons from Disney
FILMS
The Divorcee
All Quiet on the Western Front, directed by Lewis Milestone (winner of the Academy Award for Best Picture)
King of Jazz, directed by John Murray Anderson (musical revue featuring Paul Whiteman and Bing Crosby’s first feature-film appearance)
Cimarron, directed by Wesley Ruggles (winner of the Academy Award for Best Picture, registered for copyright in 1930)
Animal Crackers, directed by Victor Heerman (starring the Marx Brothers)
Soup to Nuts, directed by Benjamin Stoloff (written by Rube Goldberg, featuring later members of The Three Stooges)
Morocco, directed by Josef von Sternberg (starring Gary Cooper, Marlene Dietrich, and Adolphe Menjou)
The Blue Angel (Der blaue Engel), directed by Josef von Sternberg (starring Marlene Dietrich)
Anna Christie, directed by Clarence Brown (Greta Garbo’s first talkie)
Hell's Angels, directed by Howard Hughes (Jean Harlow’s film debut)
The Big Trail, directed by Raoul Walsh (John Wayne’s first leading role)
The Big House, directed by George Hill
Murder!, directed by Alfred Hitchcock
L'Âge d'Or, directed by Luis Buñuel, written by Buñuel and Salvador Dalí
Free and Easy, directed by Edward Sedgwick (Buster Keaton’s first speaking role)
The Divorcee, directed by Robert Z. Leonard
Whoopee!, directed by Thornton Freeland
MUSICAL COMPOSITIONS
The Royal Welch Fusiliers
Four Songs - I Got Rhythm, I've Got a Crush on You, But Not for Me, and Embraceable You - with lyrics by Ira Gershwin, music by George Gershwin
Georgia on My Mind, lyrics by Stuart Gorrell, music by Hoagy Carmichael
Dream a Little Dream of Me, lyrics by Gus Kahn, music by Fabian Andre and Wilbur Schwandt
Livin' in the Sunlight, Lovin' in the Moonlight, lyrics by Al Lewis, music by Al Sherman
On the Sunny Side of the Street, lyrics by Dorothy Fields, music by Jimmy McHugh
It Happened in Monterey, lyrics by Billy Rose, music by Mabel Wayne
Body and Soul, lyrics by Edward Heyman, Robert Sour, Frank Eyton, music by Johnny Green
Just a Gigolo (the first English translation), original German lyrics by Julius Brammer, English translation by Irving Caesar, music by Leonello Casucci
You're Driving Me Crazy, lyrics and music by Walter Donaldson
Beyond the Blue Horizon, lyrics by Leo Robin, music by Richard A. Whiting and W. Franke Harling (possible inspiration for the Star Trek theme song)
The Royal Welch Fusiliers, by John Philip Sousa
Lots of good stuff that creative types can play with without fear of any sort of legal reprisal! The first appearance of Betty Boop, and the original version of Disney's Pluto, then called Rover. It's interesting to see the evolutions of characters, like how Mickey evolved from Steamboat Willy.
https://web.law.duke.edu/cspd/publicdomainday/2026/
https://news.slashdot.org/story/26/01/01/1712212/public-domain-day-2026-brings-betty-boop-nancy-drew-and-i-got-rhythm-into-the-commons
And obviously this isn't everything that's coming free of copyright protection, just a list of a few of some significant works. They're already free in some countries: Canada and Australia have shorter copyright terms.
BOOKS
Cakes and Ale
William Faulkner, As I Lay Dying
Dashiell Hammett, The Maltese Falcon (the full book version)
Agatha Christie, The Murder at the Vicarage (the first novel featuring Miss Marple)
Carolyn Keene (pseudonym for Mildred Benson), the first four Nancy Drew books, beginning with The Secret of the Old Clock
Watty Piper (pen name of Arnold Munk), The Little Engine That Could (the popular illustrated version, with drawings by Lois Lenski)
William H. Elson, Elson Basic Readers (the first appearances of Dick and Jane)
Noël Coward, Private Lives
T.S. Eliot, Ash Wednesday
Evelyn Waugh, Vile Bodies
John Dos Passos, The 42nd Parallel
Edna Ferber, Cimarron
Dorothy L. Sayers, Strong Poison
J. B. Priestley, Angel Pavement
Olaf Stapledon, Last and First Men
Sigmund Freud, Civilization and Its Discontents (in the original German, Das Unbehagen in der Kultur)
Elizabeth Coatsworth (author) and Lynd Ward (illustrator), The Cat Who Went to Heaven
Arthur Ransome, Swallows and Amazons
W. Somerset Maugham, Cakes and Ale
Bertrand Russell, The Conquest of Happiness
CHARACTERS, COMICS, CARTOONS
Flip the Frog
Betty Boop from Fleischer Studios' Dizzy Dishes and other cartoons
Rover (later renamed Pluto) from Disney's The Chain Gang (as an unnamed bloodhound) and The Picnic (as Rover)
Blondie and Dagwood from the Blondie comic strips by Chic Young
Flip the Frog from Fiddlesticks and other cartoons, by Ub Iwerks after he left Disney
Nine new Mickey Mouse cartoons, the initial week of Mickey Mouse comic strips, and ten new Silly Symphonies cartoons from Disney
FILMS
The Divorcee
All Quiet on the Western Front, directed by Lewis Milestone (winner of the Academy Award for Best Picture)
King of Jazz, directed by John Murray Anderson (musical revue featuring Paul Whiteman and Bing Crosby’s first feature-film appearance)
Cimarron, directed by Wesley Ruggles (winner of the Academy Award for Best Picture, registered for copyright in 1930)
Animal Crackers, directed by Victor Heerman (starring the Marx Brothers)
Soup to Nuts, directed by Benjamin Stoloff (written by Rube Goldberg, featuring later members of The Three Stooges)
Morocco, directed by Josef von Sternberg (starring Gary Cooper, Marlene Dietrich, and Adolphe Menjou)
The Blue Angel (Der blaue Engel), directed by Josef von Sternberg (starring Marlene Dietrich)
Anna Christie, directed by Clarence Brown (Greta Garbo’s first talkie)
Hell's Angels, directed by Howard Hughes (Jean Harlow’s film debut)
The Big Trail, directed by Raoul Walsh (John Wayne’s first leading role)
The Big House, directed by George Hill
Murder!, directed by Alfred Hitchcock
L'Âge d'Or, directed by Luis Buñuel, written by Buñuel and Salvador Dalí
Free and Easy, directed by Edward Sedgwick (Buster Keaton’s first speaking role)
The Divorcee, directed by Robert Z. Leonard
Whoopee!, directed by Thornton Freeland
MUSICAL COMPOSITIONS
The Royal Welch Fusiliers
Four Songs - I Got Rhythm, I've Got a Crush on You, But Not for Me, and Embraceable You - with lyrics by Ira Gershwin, music by George Gershwin
Georgia on My Mind, lyrics by Stuart Gorrell, music by Hoagy Carmichael
Dream a Little Dream of Me, lyrics by Gus Kahn, music by Fabian Andre and Wilbur Schwandt
Livin' in the Sunlight, Lovin' in the Moonlight, lyrics by Al Lewis, music by Al Sherman
On the Sunny Side of the Street, lyrics by Dorothy Fields, music by Jimmy McHugh
It Happened in Monterey, lyrics by Billy Rose, music by Mabel Wayne
Body and Soul, lyrics by Edward Heyman, Robert Sour, Frank Eyton, music by Johnny Green
Just a Gigolo (the first English translation), original German lyrics by Julius Brammer, English translation by Irving Caesar, music by Leonello Casucci
You're Driving Me Crazy, lyrics and music by Walter Donaldson
Beyond the Blue Horizon, lyrics by Leo Robin, music by Richard A. Whiting and W. Franke Harling (possible inspiration for the Star Trek theme song)
The Royal Welch Fusiliers, by John Philip Sousa
Lots of good stuff that creative types can play with without fear of any sort of legal reprisal! The first appearance of Betty Boop, and the original version of Disney's Pluto, then called Rover. It's interesting to see the evolutions of characters, like how Mickey evolved from Steamboat Willy.
https://web.law.duke.edu/cspd/publicdomainday/2026/
https://news.slashdot.org/story/26/01/01/1712212/public-domain-day-2026-brings-betty-boop-nancy-drew-and-i-got-rhythm-into-the-commons
Well, my LJ friends: it's time to switch platforms or lose your accounts!
Jan. 2nd, 2026 12:08 am[PLEASE post on your LJ account(s) and communities, if you have such, so as many people as possible know about this!]
It looks like the Putin government is getting ready to lock their social media sites in to Russian posters only and to require social media credits. Dream Width is doing what they can to smooth transferring LJ users over, and there are other sites that are LJ clones, but I can't name them. I think Insane Journal was one, I have no idea if they're still around. I moved to DW nine years ago this January and have no particular problems with it, and I would expect that Europeans would have no issues with payment.
This Bluesky post explains what's going on, and comments dig deeper and discuss alternative archive methods.
https://bsky.app/profile/rahaeli.bsky.social/post/3mbebi2xfxc25
This LJ post explains things - in Russian. Google Translate should handle switching it into the language of your choice.
https://ru-news.livejournal.com/80899.html
I do hope you switch to DW. I know some of you are Facebookers, and if you decide to go there, I wish you well. I do not and will not use Meta properties.
Happy new year indeed.
When a date is announced for this lockout to go live, I will be deleting my account. My DW account is under this name, TheWayne.
It looks like the Putin government is getting ready to lock their social media sites in to Russian posters only and to require social media credits. Dream Width is doing what they can to smooth transferring LJ users over, and there are other sites that are LJ clones, but I can't name them. I think Insane Journal was one, I have no idea if they're still around. I moved to DW nine years ago this January and have no particular problems with it, and I would expect that Europeans would have no issues with payment.
This Bluesky post explains what's going on, and comments dig deeper and discuss alternative archive methods.
https://bsky.app/profile/rahaeli.bsky.social/post/3mbebi2xfxc25
This LJ post explains things - in Russian. Google Translate should handle switching it into the language of your choice.
https://ru-news.livejournal.com/80899.html
I do hope you switch to DW. I know some of you are Facebookers, and if you decide to go there, I wish you well. I do not and will not use Meta properties.
Happy new year indeed.
When a date is announced for this lockout to go live, I will be deleting my account. My DW account is under this name, TheWayne.
The sum of ourselves - DCU story, co-written with Té
Jan. 2nd, 2026 01:02 amThe sum of ourselves (468 words) by Petra, Teland
Chapters: 1/1
Fandom: DCU (Comics), Red Hood and the Outlaws (Comics)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Roy Harper & Koriand'r & Jason Todd
Characters: Roy Harper, Koriand'r (DCU), Jason Todd
Additional Tags: Nostalgia, Crack, Pre-Crisis on Infinite Earths Canon
Summary:
Chapters: 1/1
Fandom: DCU (Comics), Red Hood and the Outlaws (Comics)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Roy Harper & Koriand'r & Jason Todd
Characters: Roy Harper, Koriand'r (DCU), Jason Todd
Additional Tags: Nostalgia, Crack, Pre-Crisis on Infinite Earths Canon
Summary:
Red Hood and the Outlaws sit around chewing the fat after their first successful mission.
The great callipgyian spheres - sonnet for minoanmiss
Jan. 2nd, 2026 12:05 amThere is no stagnation in the heavens;
They spin on, shedding their light, as we watch.
So too, below, change both kneads and leavens,
Now squashing flat, now lifting heart and crotch.
The dearest lover's touch, once memorized,
Arouses in absentia, but its shade
Can't match the novel zing of lust surprised.
The chaos factor that brings us arrayed
To catch new paramours, or woo the caught,
Is lightning flash astonishment that's chased
In renewed union and a clinch red-hot,
With new-found passion or love long-embraced.
So bring to bed good novelties and play,
That you may keep love fresh, as dawn starts day.
* * * * *
Many happy returns of the day, dear heart!
They spin on, shedding their light, as we watch.
So too, below, change both kneads and leavens,
Now squashing flat, now lifting heart and crotch.
The dearest lover's touch, once memorized,
Arouses in absentia, but its shade
Can't match the novel zing of lust surprised.
The chaos factor that brings us arrayed
To catch new paramours, or woo the caught,
Is lightning flash astonishment that's chased
In renewed union and a clinch red-hot,
With new-found passion or love long-embraced.
So bring to bed good novelties and play,
That you may keep love fresh, as dawn starts day.
* * * * *
Many happy returns of the day, dear heart!
Groundhog Day Fanfic: Out Of The Loop
Jan. 2nd, 2026 04:19 pmI wrote a Yuletide Treat this year! When I went to count I found out that I have written exactly twenty-one Yuletide stories in twenty-one years. (I didn't participate in 2003 but it's nice to know I've average one a year since then.)
Out Of The Loop (1433 words) by Andraste
Fandom: Groundhog Day - Minchin/Rubin
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Characters: Phil Connors, Original Characters
Additional Tags: Post-Canon, POV Outsider, Yuletide Treat
Out Of The Loop (1433 words) by Andraste
Fandom: Groundhog Day - Minchin/Rubin
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Characters: Phil Connors, Original Characters
Additional Tags: Post-Canon, POV Outsider, Yuletide Treat
Summary: Phil's boss thought he had a pretty good idea of what the consequences of sending his weather guy to Punxsutawney would be. He could not have been more wrong.
2026 Friday Five #1
Jan. 2nd, 2026 09:43 amHere are my answers to this week's Friday Five!
1. Do you mostly drink tap, filtered, or bottled water?
At home, filtered, always. When out and about, I try to have a reusable water bottle with me, or ask for filtered water at restaurants, but sometimes I am forced to buy bottled water.
2. Is it safe/recommended to drink tap water where you live? If not, why?
Nope! I live in a developing country and while the water where I live is decent quality, it's still not potable. Most people use some kind of water filtration/purification system, or buy purified water from commercial vendors.
3. What does the tap water taste/smell like where you live?
Neutral, with a slight hint of chlorine from the purification process if it's from the municipal supply. I'm lucky to live somewhere with excellent groundwater.
4. Do you collect rainwater? If so, what do you use it for?
Rainwater harvesting is done by the municipality here and is standard. (I live somewhere prone to droughts.) It's used to replenish the water table.
5. Do you/have you ever had restrictions on water use where you live? What did you have to change about your lifestyle?
I have been lucky enough to never have had restrictions on water use, because my building has a borewell, so we were almost never dependent on municipal water supplies. There was a period of time where we supplemented the water from the borewell buy buying water commercially, but the thing with living in a drought city is that you're naturally careful about water use - to this day, I only take Navy-style showers, and have a deep and abiding hatred for golf courses. (Seriously, they should not exist in climes drier than Scotland. Why the fuck are there so many in Arizona?!) Seeing California ideas of 'restricted' water usage after growing up with people lining up to fill pots when the water tanker came was a trip, let me tell you.
1. Do you mostly drink tap, filtered, or bottled water?
At home, filtered, always. When out and about, I try to have a reusable water bottle with me, or ask for filtered water at restaurants, but sometimes I am forced to buy bottled water.
2. Is it safe/recommended to drink tap water where you live? If not, why?
Nope! I live in a developing country and while the water where I live is decent quality, it's still not potable. Most people use some kind of water filtration/purification system, or buy purified water from commercial vendors.
3. What does the tap water taste/smell like where you live?
Neutral, with a slight hint of chlorine from the purification process if it's from the municipal supply. I'm lucky to live somewhere with excellent groundwater.
4. Do you collect rainwater? If so, what do you use it for?
Rainwater harvesting is done by the municipality here and is standard. (I live somewhere prone to droughts.) It's used to replenish the water table.
5. Do you/have you ever had restrictions on water use where you live? What did you have to change about your lifestyle?
I have been lucky enough to never have had restrictions on water use, because my building has a borewell, so we were almost never dependent on municipal water supplies. There was a period of time where we supplemented the water from the borewell buy buying water commercially, but the thing with living in a drought city is that you're naturally careful about water use - to this day, I only take Navy-style showers, and have a deep and abiding hatred for golf courses. (Seriously, they should not exist in climes drier than Scotland. Why the fuck are there so many in Arizona?!) Seeing California ideas of 'restricted' water usage after growing up with people lining up to fill pots when the water tanker came was a trip, let me tell you.
