I know you, rider, too
Mar. 20th, 2019 11:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
offcntrI wasn't actually sure how to finish this sculpture. The original notion came from a Murray Leinster SF short story, Exploration Team, that I'd read back in junior high, about an illegal colony on a planet full of dangerous predators. The hero survived with the help of domestic Kodiak bears. I didn't want to follow the story literally, though, as a guy in a jumpsuit with pack and high-powered rifle would have required too much explanation.
I also thought about bear cubs, or nothing but the bear, and neither seemed complete. Ultimately, I settled on a sort of Christoper Robin meets Calvin and Hobbes solution, where the boy is as we remember him, but the bear is as he might have imagined Pooh if not limited by his father's writing.
Because I wanted more flexibility in coloring Chris, I used a lighter clay body, Georgies' G-Mix with grog, the same clay I used last year for Harriet and the year before for Baba Yaga's Apprentice. Since I knew it would shrink a little, I laid a sheet of bubble wrap across the bear's back to compensate. This also had the added benefit of keeping the brown clay from staining the white. As usual, I worked in stages. I also worked hollow, but with much thinner slabs.
The finished boy was allowed to slowly dry in place, though after about a day, I replaced the bubble wrap with paper towel. This allows him to shrink with his mount, wicks away some moisture from between them, and still keeps red stoneware smudges away from his shirt and shorts.
Okay, that's it. I really need to get back to throwing. I still have the rest of the kiln to fill up.
I also thought about bear cubs, or nothing but the bear, and neither seemed complete. Ultimately, I settled on a sort of Christoper Robin meets Calvin and Hobbes solution, where the boy is as we remember him, but the bear is as he might have imagined Pooh if not limited by his father's writing.
Because I wanted more flexibility in coloring Chris, I used a lighter clay body, Georgies' G-Mix with grog, the same clay I used last year for Harriet and the year before for Baba Yaga's Apprentice. Since I knew it would shrink a little, I laid a sheet of bubble wrap across the bear's back to compensate. This also had the added benefit of keeping the brown clay from staining the white. As usual, I worked in stages. I also worked hollow, but with much thinner slabs.
The finished boy was allowed to slowly dry in place, though after about a day, I replaced the bubble wrap with paper towel. This allows him to shrink with his mount, wicks away some moisture from between them, and still keeps red stoneware smudges away from his shirt and shorts.
Okay, that's it. I really need to get back to throwing. I still have the rest of the kiln to fill up.